23 Sep — 22 Nov 2024
12 Apr — 31 May 2024
Climate Crisis and Cultural Loss
12 Apr — 31 May 2024
Sensing Nature
16 Jan — 15 Mar 2024
The Managed Heart:
Art and Emotional Labour
12 Oct — 01 Dec 2023
The Unfaithful Octopus:
Image-Thinking and Adaptation
18 Aug — 29 Sep 2023
Art After Warming
31 Mar — 05 May 2023
Legacies
26 Nov 2022 — 27 Jan 2023
NTU Global Digital Art Prize 2022
09 Sep — 10 Oct 2022
Marcel Odenbach: Tranquil Motions
25 Mar — 13 May 2022
Information wants to be Free? : Art and the Internet
11 Jan — 11 Mar 2022
Vertical Submarine and the Amusement of Knowledge and Illusion
19 Nov — 26 Nov 2021
Korea Research Fellow 10 x 10: Me Culture/ We Society
17 Apr — 29 May 2021
To Draw A Line: Reflections on Drawing as Form
22 Jan — 13 Mar 2021
In Our Best Interests: Afro-Southeast Asian Affinities during a Cold War
28 Aug — 31 Oct 2020
The Foot Beneath The Flower
16 Jan — 28 Mar 2020
Tomorrow is an Island, as inland, a sin land
11 Oct — 30 Nov 2019
NTU Global Digital Art Prize 2019
16 Aug — 20 Sep 2019
Intestinology 04: The Cold Purity of Mathematic Love/Trust Equations
18 Jan — 06 Apr 2019
Reformations: Painting in Post 2000 Singapore Art
18 Jan — 06 Apr 2019
Searching Operations: Bodies of Painting by Ng Joon Kiat
28 Sep — 10 Nov 2018
Shapes in Symmetry
27 Apr 2018
Uber-Vernacular
02 Feb — 07 Apr 2018
Exception of Rule: Counterpoints to Truth
02 Feb — 07 Apr 2018
What is Essential is Invisible to the Eye: Works of Lyota Yagi
27 Oct 2017
In Praise of Shadows
24 Aug — 08 Oct 2017
The Art of Conflict: Video Works from the Asia Society Museum Collection
17 Mar — 17 Apr 2017
Life of Objects
21 Oct 2016 — 27 Jan 2017
Mapping Macrocosms
26 Jun — 30 Oct 2016
CONSTELLATION: A Survey of ADM Animation
26 Jun — 30 Sep 2016
The Magical Pen Line: Ronald Searle
21 Mar — 23 Apr 2016
A Figment of Film
12 Nov 2015 — 13 Feb 2016
Fellini: Circus of Light
23 Sep — 22 Nov 2024
An Ode to Absence
12 Apr — 31 May 2024
Climate Crisis and Cultural Loss
12 Apr — 31 May 2024
Sensing Nature
16 Jan — 15 Mar 2024
The Managed Heart:
Art and Emotional Labour
12 Oct — 01 Dec 2023
The Unfaithful Octopus:
Image-Thinking and Adaptation
18 Aug — 29 Sep 2023
Art After Warming
31 Mar — 05 May 2023
Legacies
26 Nov 2022 — 27 Jan 2023
NTU Global Digital Art Prize 2022
09 Sep — 10 Oct 2022
Marcel Odenbach: Tranquil Motions
25 Mar — 13 May 2022
Information wants to be Free? : Art and the Internet
11 Jan — 11 Mar 2022
Vertical Submarine and the Amusement of Knowledge and Illusion
19 Nov — 26 Nov 2021
Korea Research Fellow 10 x 10: Me Culture/ We Society
17 Apr — 29 May 2021
To Draw A Line: Reflections on Drawing as Form
22 Jan — 13 Mar 2021
In Our Best Interests: Afro-Southeast Asian Affinities during a Cold War
28 Aug — 31 Oct 2020
The Foot Beneath The Flower
16 Jan — 28 Mar 2020
Tomorrow is an Island, as inland, a sin land
11 Oct — 30 Nov 2019
NTU Global Digital Art Prize 2019
16 Aug — 20 Sep 2019
Intestinology 04: The Cold Purity of Mathematic Love/Trust Equations
18 Jan — 06 Apr 2019
Reformations: Painting in Post 2000 Singapore Art
18 Jan — 06 Apr 2019
Searching Operations: Bodies of Painting by Ng Joon Kiat
28 Sep — 10 Nov 2018
Shapes in Symmetry
27 Apr 2018
Uber-Vernacular
02 Feb — 07 Apr 2018
Exception of Rule: Counterpoints to Truth
02 Feb — 07 Apr 2018
What is Essential is Invisible to the Eye: Works of Lyota Yagi
27 Oct 2017
In Praise of Shadows
24 Aug — 08 Oct 2017
The Art of Conflict: Video Works from the Asia Society Museum Collection
17 Mar — 17 Apr 2017
Life of Objects
21 Oct 2016 — 27 Jan 2017
Mapping Macrocosms
26 Jun — 30 Oct 2016
CONSTELLATION: A Survey of ADM Animation
26 Jun — 30 Sep 2016
The Magical Pen Line: Ronald Searle
21 Mar — 23 Apr 2016
A Figment of Film
12 Nov 2015 — 13 Feb 2016
Fellini: Circus of Light
23 Sep — 22 Nov 2024
An Ode to Absence
23 Sep — 22 Nov 2024
An Ode to Absence
12 Apr — 31 May 2024
Climate Crisis and Cultural Loss
12 Apr — 31 May 2024
Sensing Nature
16 Jan — 15 Mar 2024
The Managed Heart:
Art and Emotional Labour
12 Oct — 01 Dec 2023
The Unfaithful Octopus:
Image-Thinking and Adaptation
18 Aug — 29 Sep 2023
Art After Warming
31 Mar — 05 May 2023
Legacies
26 Nov 2022 — 27 Jan 2023
NTU Global Digital Art Prize 2022
09 Sep — 10 Oct 2022
Marcel Odenbach: Tranquil Motions
25 Mar — 13 May 2022
Information wants to be Free? : Art and the Internet
11 Jan — 11 Mar 2022
Vertical Submarine and the Amusement of Knowledge and Illusion
19 Nov — 26 Nov 2021
Korea Research Fellow 10 x 10: Me Culture/ We Society
17 Apr — 29 May 2021
To Draw A Line: Reflections on Drawing as Form
22 Jan — 13 Mar 2021
In Our Best Interests: Afro-Southeast Asian Affinities during a Cold War
28 Aug — 31 Oct 2020
The Foot Beneath The Flower
16 Jan — 28 Mar 2020
Tomorrow is an Island, as inland, a sin land
11 Oct — 30 Nov 2019
NTU Global Digital Art Prize 2019
16 Aug — 20 Sep 2019
Intestinology 04: The Cold Purity of Mathematic Love/Trust Equations
18 Jan — 06 Apr 2019
Reformations: Painting in Post 2000 Singapore Art
18 Jan — 06 Apr 2019
Searching Operations: Bodies of Painting by Ng Joon Kiat
28 Sep — 10 Nov 2018
Shapes in Symmetry
27 Apr 2018
Uber-Vernacular
02 Feb — 07 Apr 2018
Exception of Rule: Counterpoints to Truth
02 Feb — 07 Apr 2018
What is Essential is Invisible to the Eye: Works of Lyota Yagi
27 Oct 2017
In Praise of Shadows
24 Aug — 08 Oct 2017
The Art of Conflict: Video Works from the Asia Society Museum Collection
17 Mar — 17 Apr 2017
Life of Objects
21 Oct 2016 — 27 Jan 2017
Mapping Macrocosms
26 Jun — 30 Oct 2016
CONSTELLATION: A Survey of ADM Animation
26 Jun — 30 Sep 2016
The Magical Pen Line: Ronald Searle
21 Mar — 23 Apr 2016
A Figment of Film
12 Nov 2015 — 13 Feb 2016
Fellini: Circus of Light
12 Apr — 31 May 2024
Climate Crisis and Cultural Loss
12 Apr — 31 May 2024
Sensing Nature
16 Jan — 15 Mar 2024
The Managed Heart:
Art and Emotional Labour
12 Oct — 01 Dec 2023
The Unfaithful Octopus:
Image-Thinking and Adaptation
18 Aug — 29 Sep 2023
Art After Warming
31 Mar — 05 May 2023
Legacies
26 Nov 2022 — 27 Jan 2023
NTU Global Digital Art Prize 2022
09 Sep — 10 Oct 2022
Marcel Odenbach: Tranquil Motions
25 Mar — 13 May 2022
Information wants to be Free? : Art and the Internet
11 Jan — 11 Mar 2022
Vertical Submarine and the Amusement of Knowledge and Illusion
19 Nov — 26 Nov 2021
Korea Research Fellow 10 x 10: Me Culture/ We Society
17 Apr — 29 May 2021
To Draw A Line: Reflections on Drawing as Form
22 Jan — 13 Mar 2021
In Our Best Interests: Afro-Southeast Asian Affinities during a Cold War
28 Aug — 31 Oct 2020
The Foot Beneath The Flower
16 Jan — 28 Mar 2020
Tomorrow is an Island, as inland, a sin land
11 Oct — 30 Nov 2019
NTU Global Digital Art Prize 2019
16 Aug — 20 Sep 2019
Intestinology 04: The Cold Purity of Mathematic Love/Trust Equations
18 Jan — 06 Apr 2019
Reformations: Painting in Post 2000 Singapore Art
18 Jan — 06 Apr 2019
Searching Operations: Bodies of Painting by Ng Joon Kiat
28 Sep — 10 Nov 2018
Shapes in Symmetry
27 Apr 2018
Uber-Vernacular
02 Feb — 07 Apr 2018
Exception of Rule: Counterpoints to Truth
02 Feb — 07 Apr 2018
What is Essential is Invisible to the Eye: Works of Lyota Yagi
27 Oct 2017
In Praise of Shadows
24 Aug — 08 Oct 2017
The Art of Conflict: Video Works from the Asia Society Museum Collection
17 Mar — 17 Apr 2017
Life of Objects
21 Oct 2016 — 27 Jan 2017
Mapping Macrocosms
26 Jun — 30 Oct 2016
CONSTELLATION: A Survey of ADM Animation
26 Jun — 30 Sep 2016
The Magical Pen Line: Ronald Searle
21 Mar — 23 Apr 2016
A Figment of Film
12 Nov 2015 — 13 Feb 2016
Fellini: Circus of Light